From session Slug Heap, recorded November 27th 2009.
Being from the same session there were so many common elements and feeling in these that they were better off together in one track. Seamless is more, right? Titles are (more or less) nonsense.
In Bey, once again some phasing percussion show up to and fro. It is not a herd of beasts, but I see them too, sure…
In the music of Paul Jordan, digitally manipulated field recordings become striking electronic songs that feel eerie and surreal. Bandcamp New & Notable Mar 7, 2020
The score for the quirky film starring Jim Gaffigan and Rhea Seehorn uses a lush pallette of synths to evoke a wide range of moods. Bandcamp New & Notable Mar 6, 2023
This compilation album features a collective of artists who used synthesizers, voice, and nature recordings to create their tracks. Bandcamp New & Notable Mar 17, 2023